{"id":7221,"date":"2023-07-27T14:03:10","date_gmt":"2023-07-27T11:03:10","guid":{"rendered":"https:\/\/karartmarble.com\/mermer-kaplama-teknigi-skoutlosis-ile-giydirme\/"},"modified":"2023-10-21T23:32:15","modified_gmt":"2023-10-21T20:32:15","slug":"skoutlosis-ile-mermer-kaplama-teknigi","status":"publish","type":"post","link":"https:\/\/www.karartmarble.com\/tr\/skoutlosis-ile-mermer-kaplama-teknigi\/","title":{"rendered":"Skoutlosis ile Mermer Kaplama Tekni\u011fi"},"content":{"rendered":"\t\t
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Bug\u00fcn \u00e7e\u015fitli kaynaklarda ve dijital ortamlarda “kitap e\u015fleme” ya da “desen e\u015fleme” tekni\u011fini ara\u015ft\u0131rd\u0131\u011f\u0131m\u0131zda kar\u015f\u0131m\u0131za Antik Roma’da kullan\u0131lan, \u00e7e\u015fitli mermer ya da benzeri ta\u015flar\u0131n desenlerine g\u00f6re ayna g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fcn al\u0131nd\u0131\u011f\u0131 “scoutlosis” uygulamas\u0131 \u00e7\u0131k\u0131yor. Bu tekni\u011fin ah\u015fap \u00fczerine uygulamas\u0131n\u0131 keman, viyola vb. telli m\u00fczik aletlerinde de g\u00f6rmek m\u00fcmk\u00fcn. G\u00fcn\u00fcm\u00fczde ta\u015f \u00fczerine bu teknikle yap\u0131lan uygulamalar, estetik g\u00f6r\u00fcn\u00fcmleriyle \u00f6zellikle banyo ve mutfaklarda olduk\u00e7a pop\u00fclerdir. Efes yama\u00e7 evleri kal\u0131nt\u0131lar\u0131 ve g\u00fcn\u00fcm\u00fczde yap\u0131larda uygulanan baz\u0131 \u00f6rnekler bu s\u00fcsleme tekni\u011finin y\u00fczy\u0131llar boyunca s\u00fcrd\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fc g\u00f6stermektedir. Binalar\u0131n i\u00e7 ve d\u0131\u015f cepheleri ile yer d\u00f6\u015femelerinde do\u011fal ta\u015flar\u0131n kullan\u0131m\u0131 antik \u00e7a\u011flara kadar uzan\u0131yor. Farkl\u0131 renk ve dokulardaki mermerler, binalar\u0131n daha g\u00f6rkemli g\u00f6r\u00fcnmesi i\u00e7in kaplama ve d\u00f6\u015feme olarak kullan\u0131lm\u0131\u015ft\u0131r. Mermerler, \u00f6zellikle farkl\u0131 y\u00f6n ve a\u00e7\u0131larda, kesme teknikleriyle ve simetrik olarak yan yana dizilerek yap\u0131larda estetik g\u00f6r\u00fcn\u00fcmler olu\u015fturmu\u015ftur. Erken Roma d\u00f6neminde baz\u0131 \u00f6nemli yap\u0131larda mermerler simetrik d\u00fczende uygulanm\u0131\u015f olsa da scoutlosis tekni\u011fi Bizansl\u0131 sanat\u00e7\u0131lar taraf\u0131ndan geli\u015ftirilmi\u015f bir kaplama tekni\u011fidir. Bu teknik uyguland\u0131\u011f\u0131 d\u00f6nemde b\u00fcy\u00fck hayranl\u0131k uyand\u0131rm\u0131\u015ft\u0131r. Roma d\u00f6nemi edebiyat\u0131nda, bir mimari yap\u0131y\u0131 s\u00fcsleyen mermerlere y\u00f6nelik \u00f6vg\u00fc, do\u011fal bir durum olan “Topos” (d\u00fc\u015f\u00fcnce ve ifade kal\u0131plar\u0131) olarak kabul edilmi\u015ftir (Chuvin, 2011). Bizans saray\u0131n\u0131n y\u00fcksek r\u00fctbeli bir memuru olan \u015fair Paulos Silentiarios (K\u00e2hya Pavlos, \u00f6. 580-581), Ayasofya ile ilgili \u015fiirinin 605-611. dizelerinde skoutlosis ad\u0131 verilen Do\u011fu Roma k\u00f6kenli tekni\u011fi \u015f\u00f6yle anlat\u0131r: “Ta\u015f duvarlarda resmin \u015faheserleri parl\u0131yor. Bunlar denizin ta\u00e7land\u0131rd\u0131\u011f\u0131 Prokonnesos (Marmara Adas\u0131) vadisinden do\u011fan mermerlerdir. Bu incelikle yontulmu\u015f ta\u015flar\u0131n yan yana geli\u015fi, f\u0131r\u00e7a izlerine benzer bir etki yarat\u0131r. D\u00f6rt ya da sekiz kez kesilmi\u015f levhalarla bir araya getirilen ta\u015f\u0131n damarlar\u0131 bir dekor olu\u015fturuyor ve bir araya gelen levhalar bir tablonun \u0131\u015f\u0131lt\u0131s\u0131n\u0131 and\u0131r\u0131yor. Bu teknikte \u00f6nemli olan mermerin rastgele d\u00f6\u015fenmesi de\u011fil, mermerin do\u011fal \u00f6zelliklerinin sanat\u00e7\u0131n\u0131n zevkine ve estetik anlay\u0131\u015f\u0131na uygun olarak yap\u0131 i\u00e7inde uygun \u015fekilde d\u00fczenlenmesi ve uygulanmas\u0131d\u0131r. Dolay\u0131s\u0131yla mermerin dekoratif \u00f6zelliklerinden yararlanarak bu tekni\u011fi uygulamak b\u00fcy\u00fck bilgi ve emek gerektiren pahal\u0131 bir i\u015flemdir. Bu teknik kullan\u0131larak yap\u0131lan bir kaplamada, birbirine biti\u015fik plakalar\u0131n birbirine bakan y\u00fczleri cilalanarak kaplama yap\u0131lacak yere yerle\u015ftirilir. Bu nedenle ocaktaki mermer blo\u011funun \u00f6zelliklerinin se\u00e7imi ve blo\u011fun kesim y\u00f6n\u00fcn\u00fcn belirlenmesi ustan\u0131n becerisine ba\u011fl\u0131d\u0131r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ayn\u0131 zamanda, mermerin kal\u0131nl\u0131\u011f\u0131 ve mermere karakterini veren ayn\u0131 uzunlamas\u0131na damarlara sahip bloklar dikkatle se\u00e7ilmelidir; bu nedenlerden dolay\u0131, scoutlosis \u00e7ok maliyetli bir tekniktir. Bununla birlikte, avantajlar\u0131 da vard\u0131r: geni\u015f alanlar\u0131n kaplanmas\u0131 gerekti\u011finde h\u0131z ve dayan\u0131kl\u0131l\u0131k sa\u011flar (Chuvin, 2011). Scoutlosis tekni\u011fi, d\u00f6neminin en b\u00fcy\u00fck tap\u0131na\u011f\u0131 olan Ayasofya’da yo\u011fun olarak kullan\u0131lm\u0131\u015ft\u0131r. An\u0131t\u0131n i\u00e7 mek\u00e2n\u0131nda zemin ve duvar kaplamalar\u0131 mermer plakalardan yap\u0131lm\u0131\u015f ve bu plakalara estetik bir g\u00f6r\u00fcn\u00fcm kazand\u0131rmak i\u00e7in birbirleriyle uyumlu ve en g\u00fczel \u015fekilde yerle\u015ftirilmelerine \u00f6zen g\u00f6sterilmi\u015ftir. T\u00fcm bu dekorun sadece estetik de\u011fil ayn\u0131 zamanda sembolik bir de\u011feri de vard\u0131r. Binay\u0131 s\u00fcsleyen mermerlerin geldi\u011fi farkl\u0131 b\u00f6lgeler, imparatorlu\u011fun g\u00fcc\u00fcn\u00fcn ve kaynaklar\u0131n\u0131n boyutunu da yans\u0131tmaktad\u0131r (Chuvin, 2011).<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Kaynak\u00e7a: 624625 (dergipark.org.tr)<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Bug\u00fcn \u00e7e\u015fitli kaynaklarda ve dijital ortamlarda “kitap e\u015fle\u015ftirme” ya da “desen e\u015fle\u015ftirme” tekni\u011fini ara\u015ft\u0131rd\u0131\u011f\u0131m\u0131zda kar\u015f\u0131m\u0131za Antik Roma’da kullan\u0131lan, \u00e7e\u015fitli mermer ya da benzeri ta\u015flar\u0131n desenlerine g\u00f6re ayna g\u00f6r\u00fcnt\u00fclerinin al\u0131nd\u0131\u011f\u0131 “scoutlosis” uygulamas\u0131 \u00e7\u0131k\u0131yor…<\/p>\n","protected":false},"author":10,"featured_media":6490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[32],"tags":[],"class_list":["post-7221","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-karartmarble"],"_links":{"self":[{"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/posts\/7221","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/comments?post=7221"}],"version-history":[{"count":0,"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/posts\/7221\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/media\/6490"}],"wp:attachment":[{"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/media?parent=7221"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/categories?post=7221"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.karartmarble.com\/tr\/wp-json\/wp\/v2\/tags?post=7221"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}